

2020
Jim Campbell
studied electrical engineering and mathematics
Contemporary artist using LED light videos that act as pixels.
in relation to footage and this artist.
Thinking of simple ways to create low-resolution effects when shooting video.
Premier pro - mosaic effect in premier pro.
Manipulating colours of the pixels created by that effect.
work runs counter to image culture. counter to higher resolution cameras televisions and other devices. low res works.
oscillates between patterns of light and discern or make out figures. Jim campbell interesting artist creates low res video arrays. has the ability to do that.
Strong poetic dimension remove certain level of detail whats left is kind of poetry because we've removed detail but retains level of specificity.
Key moments detail will flood back in coincide with the movements of the figures. Brain able to invent detail that wasn't there.
Specificity of the movements and tone but all the detail has been removed. Outlines of these shapes. Reducing these images to a very pure tone. Pure tone also in the absence of line. No line created.
Obscuring the Camera




Mosaic test


The traces left behind by human interaction.


Inspired by the unique structure and physicality of the bunker. Layering.
Traces and gestures left sprayed. Human activity
Cory Arcangel



Cory Arcangel is a Brooklyn New York post-conceptual artist who makes work in many different media, including drawing, music, video, performance art and video game modifications, for which is best known.
Arcangel often uses the artistic strategy of appropriation, creatively reusing existing materials such as dancing stands, photoshop gradients and You-tube video to create new works of art. His work explores the relationship between digital technology and pop culture.

Daniel Crooks
Daniel Crooks examines the mechanics of time using a high-end digital camera and computer software to poetic effect. 1 His single- and multi-channel video projections break time down, frame by frame, and expand our sense of temporality by manipulating digital ‘time slices’ that are normally imperceptible to the human eye. In his single-screen video Static No.12 (seek stillness in …

